Category Archives: Poetry

Catchall for cutthroats

What is the difference between a catch-all and a catch-phrase? Both are compounds formed as Verb+Noun, but in catch-all, the noun is the direct object of the verb, whereas in catch-phrase it is the subject. That is, a catch-all is something that catches all things, whereas a catch-phrase is not something that catches phrases – […]

Published: “Geoffrey Hill’s Etymological Crux”

I’m happy to say that Modern Philology has just published a longish article of mine on etymology in Geoffrey Hill’s work, called “All corruptible things: Geoffrey Hill’s Etymological Crux.” A self-archived copy of the article may be downloaded by clicking here. [Note that a revised version of this article appears in my 2020 monograph, The […]

Now With More Nodes! Updated Prize Network Maps

In his comments to my last post on “Poetry Prize Networks in the UK“, Neil Astley said my maps ought to have included the Costa Poetry Awards. This had occurred to me when I was putting them together, but I hadn’t been able to track down a proper list of the judges for that prize. […]

Poetry Prize Networks in the UK

For some reason, the awarding of poetry prizes is always an occasion for controversy–accusations of logrolling, of blackballing, of various forms of individual and institutional favouritism and collusion, of low aesthetic and/or moral standards. There was more than the usual of this last week when the Poetry Book Society gave the 2014 T. S. Eliot […]

Assessing Poetry Assessor

The web application called “Poetry Assessor” has had a second wave of attention since going back online recently. In this post I want to show why Poetry Assessor doesn’t assess poetry, and to make a broader point about the “Humanities” in “Digital Humanities”: that bad disciplinary training makes for bad interdisciplinary work. It’s a longish […]

Eliotic OED

[UPDATE 9/15: If what follows interests you at all please see this update: “Two Notes on T. S. Eliot and the OED“] OED editor Robert Burchfield was responsible for adding Woolfian, Poundian, Joycean, Yeatsian, and Audenesque to the dictionary while preparing the Supplement of 1976-86 (later incorporated into the Second Edition, OED2). There’s no Eliotesque or […]

Did TSE use OED, SOED, or COD?

[UPDATE 9/15: If what follows interests you at all please see this update: “Two Notes on T. S. Eliot and the OED“] Or, Possum’s Practical Books of Words. On the internet and everywhere else people are confusing the Oxford English Dictionary (OED) with other Oxford English dictionaries, such as the Shorter Oxford English Dictionary (SOED), […]

“Chickadee” an “Authorism”?

This morning while watching a small horde of black-capped chickadees [a banditry or dissimulation of chickadees, you might say, or just a flock] taking turns at the feeder, a I had a quick look through Paul Dickson’s Authorisms: Words Wrought by Authors. The book is a list of literary neologisms and their attributions. There are […]

ICHLL 7 – Conference in Las Palmas de Gran Canaria

In the Canary Islands tonight, getting ready for the 7th International Conference on Historical Lexicography and Lexicology (ICHLL2014). A fascinating line-up of talks, most on subjects way astray of my field of knowledge. A list of papers and abstracts is here. My talk will be on some of my recent digital work with the OED […]

On the origins of bears, and words for bears

A poem by Simon Armitage called “The Great Bear” (from CloudCukooLand, 1997) has a few things to say about, and to, a bear – or bears in general. The poem is modelled as a set of ratifications (“it’s right… And right…” etc.) of ursine legends and myths, actual and invented:  [embedded from Google Books] The […]